Thursday, January 21, 2016

Week of David Bowie and Panic at the Disco

    This past week has been one of the worst in a long time and I know every one of us music fans is feeling down. That's when I personally need music most, so lets talk about some music to distract from this horrible start to 2016. This week I will be reviewing the very last album from music innovator and legend David Bowie and the new album from the pop punk boys in Panic at the Disco. So here are my reviews of David Bowie's Blackstar and Panic's Death of a Bachelor. This week I am going to be doing a video and written review, because I figured I write up a guide anyway. Now you can read it instead if you would rather. 

David Bowie- Blackstar Review-

    David Robert Jones was born in Brixton, London on January 8th 1947. 
    I admit i have been having trouble finding the words to start this review. I still can’t believe that the man David Bowie is no longer here. It feels like hole has been ripped in the creative world that will never be filled. The man is gone but the legend and music with live on forever. It would be wrong not to review this last gift from one of the most creative and talented musicians who ever lived. If The Next Day looking back is the start to David Bowie’s final chapter then Blackstar is the ethereal beautiful end to a long and wonderful story. This album was Bowie pushing himself to make something creative and different one las time with the help of the ever present Toni Visconti and an all-star lineup of jazz musicians. Before his death people thought this was just a man looking back on his life and looking for the answers to the big questions in life, but after his death it’s clear when listening to this it’s the story of a man who sees his own death coming just out of site and wants to describe the feeling of the end and the meaning of his life as it happens. It’s a very dark and deep record and as a fan it’s a very challenging listen as you try not to break down and cry. 

      Bowie attended Stockwell infants school until he was six years old, acquiring a reputation as a gifted child. In 1953 the family moved to Bromley where he attended Burnt Ash Junior School. He was told he was way above average in singing and dancing even that young. He took up piano, ukulele, and bass at 9 years old.  In 1962 he formed his first band the Konrads. After that he moved on from band to band for a while and changed his name to David Bowie in the mid 1960s after 19th century American frontiersman Jim Bowie. In 1967 he released his first solo album David Bowie. In 1969 he released Space Oddity to huge critical success. Bowie met Angela Barnett in April 1969 and they married within a year. He followed it with two heavier full band albums. After this he changed into the weird styles we know today as The Rise and Fall of Ziggy Stardust and the Spiders from Mars era, a weird era that legitimized him as a rock star. 

          He moved from there with two more records into the Thin White Duke era, marked by funk, soul, and a wild future in a post apocalyptic city. This marked huge cocaine addictions and three new albums. Bowie moved to Berlin in 1976, this became the Berlin era. This era was marked by even more cocaine and a trilogy of minimalistic albums. Following that he released Scary Monsters (and Super Creeps) in 1980, and the mega hit "Under Pressure" with Queen soon followed. In 1989 he had a short lived band Tin Machine that didn't do very well. In 1992 he Married his current wife Iman and moved into the Electronic Bowie stage. This was marked by electronic and hip hop explorations on new dance albums. The Final Bowie Stage is Neoclassicism Bowie, moving away from electronic to more minimalism. With Heathen, Reality, and The Next Day. Blackstar came out on Bowie’s 69th Birthday and two days later he died of cancer.

     David Bowie Performs Heroes

     1. Blackstar-I ordered the album in advance and didn’t get it till after he died so when I finally listened this monday afternoon it hit me like a truck. Blackstar’s title track is a ten minute long sparse and empty void of a song that seems to swirl all the instruments arounds the voice that sounds weathered and powerful. The song is held together by a voice in a void of hypnotizing noises and random jazz saxophones. It all comes together to create a Phychodelic, jazz epic. It’s powerful and painful with truly deep lyrics about a man looking back on his life on the day he died.  He shines here vocally and even the weariness feels perfect. This is an album highlight.
2. ’Tis a Pity She Was a Whore-is a very strange song that starts with a solid drum beat and a jazz sound. This song is driven by the winding saxophone lines. The song is a great jazz song with David singing a story of a strange interaction with a women who he called a whore and punched him. It’s hard to tell here if this is him looking back at an actually interaction and regretting his choices or created character. It was inspired by a 17th Century play of the same name.  
3. Lazarus-is the best song on the album and one of the best songs he has ever written. This is David’s beautiful swan song. When I first heard this song I broke down and cried and I don’t do that easy. “Look up here I’m in heaven, Ive got scars that can’t be seen.”, is the beautiful and painful first line of the song. He is singing with raw power as the saxophones and guitars slowly grind behind him. This is a jazzy ballad and it’s gorgeous and powerful. This song is the moment that his life flashes before his eyes and he is forced to recall every aspect of his life and he embraces life and love one last time and he lets go to be finally free. This song is a highlight is the understatement of the century. This song is actually based on his character he played in the man who fell from earth, and has since been developed into a stage show of the same name. I love this song. “This Way or No Way, You Know I’ll Be Free”. 
4. Sue (Or in a Season of Crime)-starts with a rocking bass line and jazz percussion beat. It’s more of a kind of a big band jazz song with heavy bass lines and sparse synth waves thrown in. The rock jazz style all plays under the vocals of David as he sings of a murderous intent of Sue. The song is a dark and creepy jazz horror story. The intensity is driven by the bass line. 
5. Girl Loves Me-makes the first use of the David Bowie scream that he has perfected over the years. The song is led by the catchy almost rapped line “Where the Fuck did Monday Go?”. It’s strange and instantly catchy. Apparently Bowie was listening to Kendrick Lamar when this song was inspired. The vocal style is very sing song almost pixies like. This song is a lot less horn infused then other songs using only synths, bass, and drums over his lines. I love this song. It’s weird and so very bowie. This to me feels like a song about where did all my time go. Is this really all I have left. My last monday I learned you died so I can definelty relate to the core message. This is an album highlight.
6. Dollar Days-starts slower and less angrily with a smooth sax solo. This song is a jazz pop song that sees Bowie looking back on all the things he will never get do do again, and convincing himself that it’s ok. The great sax solos really drive this great contemplative look back and his long and great life. 
7. I Can’t Give Everything Away-The album closer leads in with syth lines and horns. Bowie shows the very full length of his still great vocal range. it’s raw and powerful. This track has the least amount of layers, stripping back to hear much more of Bowie in his vulnerable state. The simplest song on the album is one of the best and most beautiful. The things and relationships he leaves behind and how people will remember him is what he thinks of as the last song fades out. It ends with a classic fade out and the that's the last of Bowie’s final album.

David Bowie's final music video Lazerous. 

     This album is  the final masterpiece from the masterful musician and innovator David Bowie. He really goes out on top here with the best band he has played with since the spider from mars. It’s a jazz combo in New York led by Donny McCaslin. This album is not anything traditional and that’s the point. He goes out exactly as he wanted to with a an album that pushes boundaries and defies the norm one final time. He will be missed so much and it hurts so much to know that he was actually recording  demos for followup when he died. This album may not be the last music we hear from Bowie as demos will surly surface, but it’s the last thing with his magical touch and perfect production. The album was dark and dealt with Bowie as he sees his life coming to an end captures the moments at the very end in such a haunting way with beautiful lyrics, it really blew me away. I never really liked to think David Bowie would die. I always pictured he would just get in his spaceship and fly home. So where ever you are up there in space thank you for everything Major Tom. 

Here is my Video Review of David Bowie's Blackstar.



Recommended Songs: Blackstar, Lazerus, Girl Loves Me, and I Can’t Give Everything Away.

5/5 Stars



Panic at the Disco- Death of a Bachelor Review-

     Panic began began as a emo pop punk band at the height of that craze with the likes of Fall Out Boy and soared to huge popularity with we write not trajeties, the song we all know the words weather we like it or not. Following that they made a weird indie rock styled album that I actually liked, and a pop rock throw back that was ok. Their last album To Weird To Live To Rare To Die was a dark synth and electronic driven pile of crap that I reviewed and hated every second of it. This time around singer Brendan Urie is the only member left leading the band. He writes an album on the verge of marriage saying goodbye to his bachelorhood in grand fashion. 
         Panic at the Disco is an American rock band from Las Vegas formed in 2004. The band was founded by Ryan Ross, Spencer Smith, Brent Wilson, and Brendon Urie. Brendon Urie is now the sole remaining member. They got Famous off of the lead single "I Write Sins Not Tragedies". The album was certified double platinum. In 2008 they debut a new sounds on the second album Pretty Odd. Following this principal song writer and guitarist Ryan Ross as well as left basist Jon Walker left the band in favor of the new sound. The third album Vices and Virtures went back to the vaudevillian pop sound. In 2013 they releases Too Weird to Live, Too Rare to Die! and Spencer Smith left leaving Brendon as a solo artist. That leads us to Death of a Bachelor.
Panic at the Disco I Write Sins Not Tragedies. 

    1.Victorious-opens with a background chorus before become a party pop anthem destined to be played in night clubs everywhere. The song is about a hang over from a night of praying on the verge of a big life change. He is very whitty with his lyrics here as always. The music plays like a pop song mixed with a sample driven beat. It’s not a good or a bad song, it’s the lead single on a modern pop rock album aimed to rejuvenate the image of a band and put them back in the limelight. I think that it might just work. 
2. Don’t Threaten Me With a Good Time-This song samples Rock Lobster strangely and way too many times. The lyrics here while clever but the music doesn’t keep up with his wit. I’ts more just a modern pop song with dj and rock lobster samples in it. 
3. Hallelujah-starts with horns and explodes into huge chorus with Brendon’s vocals shining. This song is destined to become a drunken singalong and future ring tones. The song is destined to play in dance clubs as a pop song fused heavily with dance beats and dj samples. It’s a better song then others on here and it stands out.
4. Emperor’s New Clothes-contiues where the rest of the album has taken off. It’s is very much a party anthem album made to pre gaming, drinking, and dancing. It’s admittedly not my thing but I think the choruses are huge and catchy with cleaver lyrics and people will eat this shit up. It also has a strange Nightmare before Christmas sounding sample. 
5. Death of a Bachelor-is a very different song then the rest of the album combining jazz lounge singer style with modern pop and dance beats. I think it works because of its weirdness and the fact that it he sings huge high to help this track stand out from the rest of the album. This is a song that I actually like it’s a guilty pleasure. I think it’s an album highlight.
6. Crazy=Genius-It follows with another jazz pop song that is just insanely catchy. This song unlike the last one has a more a pop punk jazz sound to it. The song about how many famously crazy people were also famously talented. This song really shines with the jazz horns and fun dj samples. Again I really like this song for its weirdness I think that’s where this band really shines, like on the album pretty odd. An album highlight for sure.
7. LA Devotee-This song is a love letter to Los Angeles after his move from Las Vegas. This song abandoned the jazz for a modern pop sound with more dj samples. 
8. Golden Days-Is a straight up pop song that sounds like it could have come off a Katty Perry album if she sang it. It really doesn’t do anything for me, and it seems destined for the radio. 
9. The Good, The Bad and The Dirty-is another highly dj sampled modern pop song about death in general. This song does have some of the most cleaver and witty lyrics on here.
10. House of Memories-features Dylan Schwab in a synth driven song that is insanely catchy and just try to get it out of your head. It sees Brendon looking back on all of his past life of romances and parties as he reminisces.
11. Impossible Year-The last song on the album is way different sort of song from the rest of the album. It’s more a straightforward lounge singer ballad. It’a beautiful song that really shows how truly talented Brendon is. This concept album about the death of his bachelorhood persona for his married life ends here. The final song is like a eulogy to his single life.
Panic at the Disco Crazy=Genius

     I expected to hate this album like last one, just kidding not like the last one most things aren’t that bad, but they made a huge shift in style and made an album that will serve as a commercial comeback. The album is a modern pop album that is fussed with glam, jazz, electric, and rock styles. As the only member left Brendon shines vocally here like never before and creates an album destined for radio play and dance floor but with enough wit and weird musical diversions for most casual music fans and panic fans alike. It’s not the best album they have written, but it’s not the worst and its a worthy chapter for a former pop punk band going modern pop. 
   

                             Here is My Video Review Panic's Death of a Bachelor.

     
Recommended Songs: Death of a Bachloer, Crazy=Genius, House of Memories, and Impossible Year.

3/5 Stars



Friday, January 1, 2016

Top 20 Albums of 2015


     I have listened to a ton of music this year good band and in between. I love this part of the year but the hardest part is limiting down the list of best albums. keep in mind this is my personal favorite albums, so don't get offended if your favorite album isn't here. I may not have gotten to it yet or we may just have a difference of opinion. Also important to note before I go into this that although I am very open minded I don't like hip hop, country, dubstep, or pop for the most part so any album that falls under that will not be on here. Yes, I have heard Kendrick Lamar's To Pimp a Butterfly and it is very good. I don't know enough about hip hop to really review it. All that said here is my top 20 albums of 2015. 

20. Florence and the Machine- How Big, How Blue, How Beautiful-


     Florence and the machine have never put out a bad album but throughout the time she has evolved as a song writer. This time around she crafted her best song writing yet, cutting all the pomp and circumstance of the pervious albums and letting her grief and voice do all the talking. She's matured here in a way that only years on the road and real artistry can craft. 


19. Turbowolf- Two Hands-



     Once in a while a sophomore  album comes along and breaks the slump and really shines and says something that even matured veterans can't muster up. Turbowolf created a cluttered but interesting fuzz rock debut but on the second album they really put it together. They craft the the sonic hard rocking fuzz album of the year. Even the fuzz man Ty Segall himself would be proud. They have a lot of promise and talent, hopefully they keep it up. They are a very promising young band.


18. Faith No More-Sol Invictus-

     Faith No More come out with reunion album that didn't seem like they were ever apart at all. So many reunion albums fail and ruin the legacy of the band. This time the band proves by making it that they belong back in the game in the first place, and making weird alt metal albums like they always have. Mike Patton does what he always does and shines with insane vocal range and variety that puts him back as he was at the top of the lead singer ladder. For a bunch of 50 year olds they still sound heavy and weird as they ever did.


17. Foals- What Went Down-

     Foals continue what was started on 2013's Holy Fire and take it up a notch to make this their best albums since Antidotes. The rockers are bigger, the ballads better, and the layers are deeper. This band has now figured out the perfect line between danceable alternative and pounding alt rock. They make the best of both worlds here with the best vocals and song writing so far. The days of math rock may be gone, but they have transformed into one of the best alt rock bands of the decade. 


16. Alabama Shakes- Color and Sound-

     Alabama Shakes are still fairly new to the game with this just being their second album but after raw talent and lot of promise on their debut, they have now ascended to rock royalty with the their second. This band went from playing clubs to playing duets with Paul McCartney at Lollapalooza. Sound and Color is an extremely elaborate album that bends and molds genre lines as it sees fit crafting a hard to describe rock album with elements of blues, soul, r and b, and many others. It all stems behind the amazing vocals of Britney Howard, who lets loose like she is on fire. 

15. Iron Maiden-Book of Souls-

      Speaking of Rock royalty, no one earns that title more then metal legends Iron Maiden. This album amazes me on so many levels. When news of singer Bruce Dickinson's throat cancer struck the album itself wasn't even metal fans minds. We all prayed to metal gods for the health of Bruce Dickinson. Then on a shocking turn of events the band announced the completion of a double album. They floored fans not only on its existence but with what was on it, it was amazing. To me they have crafted the best Iron Maiden album since Fear of the Dark. Now that Bruce Dickinson is in remission we can fully appreciate the magic of this album and the world tour to follow. Iron Maiden in many ways deserve a huge victory lap for this and once again sit a top the thrown with this years top releases. 

14. Bjork- Vulncura-

     Bjork has been around making phenomenal albums for years and years. So this album should come as no surprise to some. This album is one of Bjorks most personal albums ever made as it deals with the heartbreak and breakup of her longtime relationship. This album practically bleeds of the page and its hard to believe that this is only the second best breakup album of the year. As with all Bjork albums she pushed the boundaries of pop music, if you can even call what she makes pop, in whole new directions that boggle the mind. No one comes up with avant-garde pop music like her. I have yet to see her live, but Ive heard she pushes the boundaries of that as well. 

13. Torche- Restarter-

     Torche have been rocking the doom/sludge metal community since 2005 and have become one of the top live and album favorites since then. I had the pleasure of seeing them live this year with Melt Banana and it blew me away. This band is one of the best sludge and doom metal bands to come since early Mastodon and Kyuss before them. They play the heaviest baselines of the year.


12. The Districts- A Flourish and a Spoil-

      Every now and then a debut album comes around thats so good that it takes the music world by storm. This album is one of those albums. This band was a group of high school friends that played classic rock covers and then went on the road to play their own music. They now write indie rock infused with classic rock. They are just musicians and friends who travel and do what they do best play great rock music. The future here is very bright and I can't wait to see what they do next. 


11. Strung Out- Transmission Alpha Delta-

     This album reminds me why this bands was cool years and years ago and it reminds me why people love punk rock to this day. Strung Out have been around for a long time, but It's been a long time since they put out an album six years to be exact. This albums bring back their classic fast paced huge metal guitar riffing sound with fiery lyrics that pull no punches. This is the band that took off from where Bad Religion started and just like Bad Religion they still kick ass to this day. If your a fan of punk this is an album you need!


10. Puscifer- Money Shot-

     Maynard James Keenan finally breaks his musical silence and put an album, not Tool but his first album since 2011's Conditions of my Parole, so Ill take it. This side project started out as a joke on the Mr Show program but it became a real project in 2007. It wasn't until 2011 that they started taking themselves seriously and put out a very different, but very good album. It was a combination of A Perfect Circle and a new sonically deep electronic sound. This album takes that electronic sound up a few notches and becomes something truly its own. This side project is something good enough that I hope when he goes back to Tool and A Perfect Circle he doesn't forget about it, because it's worth revisiting. 

9. Baroness- Purple-

    This is Baroness's first album since the terrible bus crash and lineup change. Not much has changed sonically as this band puts another super star entry in color form of purple. The choruses soar, the twin guitar lines battle each other for supremacy. The songs are metal, but also songs for all fans of rock with huge anthemic lines that are perfect for concert sing alongs. The rhythm section is new and hugely inventive here with soaring atmospheric sections. If you liked them before, you will love them now. If you have never heard of Baroness, Purple is as good a point as any to start. They have never had a bad album and that streak continues here. 


8. Tame Impala- Currents-

     I thought they had completely mastered the Psychedelic style with their last album, I couldn't praise it enough. On currents they go even farther down the rabbit hole and come out in entirely new territory with hypnotic and atmospheric psychedelic sound that feels like a mix of Syd Barrett from Pink Floyd and John Lennon's style of pop song. Kevin Parker shines his beautiful falsetto all over the album. This albums is a lot lighter than the past two albums, but even that said it enters new territory. Some people call it watered down pop music, but if you listen to it a few times and really explore what it is trying to say I think you will love it too.


7. Deafheaven- New Bermuda-

     2013's Sunbather was an Atmospheric Shoegaze Metal album and my album of the year. On this years New Bermuda they change things up and push forward into new territory. This album is more straight forward black metal with some melodic gutar lines. They still have elements of Shoegaze in the guitar lines. The vocal delivery is also slightly different on this album but not worse. This album is not as good as Sunbather in my opinion but i'm glad they pushed forward to a new sound instead of trying to create Sunbather 2. This album is still a great album and one of the best metal albums of the year. 


6. Sleater Kinney- No Cities to Love-

     I didn't actually know who Sleater Kinney was before No Cities to Love but after being recommend to check out their reunion album, I did and I loved it. This is one of the best riot girl punk bands ever. I'm glad to get to hear them digging into their back catalog live because its great and the new one is not just a great addition to the past albums, but it might be the best album they have ever made. This album could fit under a ton of different genres, its rock, punk, alternative, and even could be called hard rock. This album is not just a little hipster alt rock album it really flies and rocks hard. Rock is not a genre just for men, it never has been, but sometimes people forget that and this album is a reminder of that simple fact.

5. Farther John Misty- I Love You, Honeybear-

     After leaving Fleet Foxes Joushua Tillman created a new moniker for himself and starting performing as solo act called Father John Misty. his first album was a beautiful and weird mix of folk humor and brilliantly witty lyrics. For the second album he decided to tell a story of a relation ship from start to violent end and did so in a way that even know the couple isn't real we really felt for them. This isn't just your Taylor Swift breakup writing Josh goes into detail on each part of the relationship including his characters shortcomings and screw ups. This is loosely based on his own marriage but considering he's still married, it's not all factual. This album is hands down the best break up album of the year and the second best folk album. It's truly heart wrenching and beautiful stuff.


4. Between the Buried and Me- Coma Ecliptic-

     Between the Buried and Me started off as a Black Metal band but just like Opeth they have been slowly transitioning to progressive metal. Just like Opeth before them I love the new music they have been making. Between the Buried and Me have created the best Progressive metal album of the year. Every track on Coma Ecliptic is a separate story played out in an epic and huge way. Don't worry though long time fans the death metal screams are still there and they rock as hard as they ever have. This time around thought their song writing has hit an all time high and future of the band and progressive metal as a whole has never been brighter. 


3. Refused- Freedom

      Refused are finally back and they have been dearly missed. Refused even went so far after breaking up to make a documentary called Refused are fucking dead, so the reunion that came after was a huge surprise, and the reunion album even more so. This album is everything I wanted it to be, even if some fans were disappointed. The whole point to refused was to make punk music more varied and diverse. The punk of the future, this album has a different genre infused with every song, and has different instruments infused in punk rock that have never been used before. At the same time it freaking rocks and sounds like nothing but a Refused album.


2. Sufjan Stevens- Carrie and Lowell-

      This is the only album of the year that made me cry. Sufjan Stevens past work has implicitly avoided going into his own life so when Carrie and Lowell dived into the most personal subject he could write about people took notice. He goes back to his folk roots here with a story so heartbreakingly painful you can't help but choke up. This is the story of how his mother abandoned him and his step dad when he was little and he dealt with hating her for it his entire life. He finally got to meet her again, but it was in the last year of her life as she died of cancer, talk about some deep shit seriously! The whole album has some of the best lyrical writing I have ever heard, like old school Neil Young or Dylan. This man is one of the last of a dying breed of true lyricists that spin beauty and poetry into every thing they write. 


1. Titus Andronicus- The Most Lamentable Tragedy-

     When Titus Andronicus made The Monitor I honestly thought there was nothing they could ever do to top it, then came this album. The Most Lamentable Tragedy is a double album punk rock opera. Its as good as the best rock operas ever written, your Tommy's, Jesus Christ Superstar, The Wall, The Lamb Lies Down on Broadway. I know how big that praise is, but they deserve it. This is one of the best punk albums I have ever heard, and it tells a rock opera for the punks. I know it will never been as praised as it deserves and hell I think even the band knows that. It doesn't matter though, that isn't why they wrote it. Just listen to it and let your self get swept away into one of the best albums I have ever heard.